- Creative Play: A Felting Mini-Workshop
Jung Center (Houston)
Tuesday, September 7, 6 p.m. -
The Well-fed Artist:
To Show or Not To Show, That Is the Question
Frame Craft Lampros Gallery (Spring, Texas)
Thursday, September 9, 7 p.m.
Not much, of course. Or maybe a lot. Hard to be absolutely certain, which is the point. What’s wrong with being right is that we can’t always know—in the big scheme of things—what’s really right. And if we’re too concerned with being right, we lose sight of just living our lives. If I’m right, then usually it means that someone else is wrong. It might just be my job to show them that they’re wrong. Would that make me self-righteous? Would that be wrong? And if I’m wrong, maybe I should feel guilty. And if I don’t want you to know that I’m wrong or have been wrong, then I’ll need to do some cover‑up. Not outright lies, just cover up my flaws. That surely wouldn’t be wrong. It’s just making things nicer for both of us. Right? Right. Or maybe not. Maybe that approach keeps me from being my very best self, and keeps a barrier between us. You might want to hurt me or judge me if you knew I was wrong. And I might have to hurt you to defend myself. What if we all reserved the right to be wrong? What if we acknowledged that we don’t always get it right? What if we could focus on doing good work, living life to the fullest, doing our best, without fear of being wrong? Wouldn’t that be a relief? Maybe even when we were wrong, we’d be closer to getting it right. What do you think? Am I right about this? One for the money, two for the show, three to get ready, and four to go‑o‑o‑o. It’s a counting game that reminds me of my dad. Not sure why it comes to mind now, except it somehow seems to fit some of our ideas about showing our work as artists.
Members of my meetup group, The Well-fed Artist, have suggested a show, so in our second meeting on September 9, we’ll talk about showing our work. What is and isn’t important about doing that? Is the work complete without being shown? What’s the right setting for showing your work, or your work at this time? You’re welcome to participate in the conversation! The Well-fed Artist meetups are free and open to the public, but we encourage you to join the Meetup group and RSVP for events. (Membership is free and entitles you to participate in the discussion forums, share messages with the community, and sign up for announcements about other Meetup groups in your areas of interest.) Joining the Meetup group isn’t a requirement for attending our meetings. If you’d like to take part in a meeting but would prefer not to join the group, please call me or send e‑mail to let me know you’re coming. And as always, I’d love to hear from you in the comments below about this post or anything that’s on your mind. Food in the midst of famine. Where does it come from? Who gets to have it? Who might be willing to share? And where’s the famine? Here we are in the land of plenty. Seems like there’s more talk of obesity than famine. And yet, there’s also a pervasive sense of limited resources; certainly there are hungry people in our community, and plenty of doubt about the economy and the job situation. I recently started a Meetup Group called The Well-fed Artist, and the theme for our first meeting is “Food in the Midst of Famine.” How’s that for putting it out there? In all my life up to this point, I’ve never known so many artists. None of them are literally starving—at least to my knowledge—but a lot of them are hungry. Hungry for success, for acknowledgement, for a way to do what they do and get paid for doing it, for money to pay the rent, for time and space and resources to make their art, for a sense of security, and for encouragement and inspiration. In all my life up to this point, I don’t remember ever hearing such a consistent litany about the perils of our current economic situation. So why, at this point, should we talk about the well-fed artist? Shouldn’t we move on to more practical things, like jobs and politics and tightening our belts? Maybe; maybe not. In the midst of all the gloom and doom, it’s artists who tell it like it is, and also get really creative about new possibilities. It’s artists who help us see the world and ourselves in new light. It’s artists who help us tap into the stuff we know, but don’t know that we know. It’s artists who express the feelings we’re not quite ready to admit to. It’s artists who show us the best and the worst in us and in our world. It’s artists who remind us that “man can not live by bread alone.” Artists are necessary to our well being, and they should be well-fed. That’s why I think we should talk about the well-fed artist. So, what does it mean to be a well-fed artist? As a starting point, I’d say that the well-fed artist has food on the table, clothing and shelter, and time and space and resources for making art. Easily said, not always so easily created. Thus, the meetup group. We’ll tell it like it is and like it could be. We’ll share ideas and information, food and nourishment. We’ll look at the complications and obstacles to being well-fed. Could it be that Tom Robbins was right when he said, “Difficulties illuminate existence, but they must be fresh and of high quality.”?* Let the illumination begin. Announcing the second meeting of The Well-fed Artist, a Meetup group intended to subvert the idea that artists have to starve, to suffer for their art. Artists can and do live rich, full lives. How? What does it take? How can they provide nourishment for themselves and one another? Hosted by coach and fiber artist Gika Rector, this Meetup group explores what it takes individually and as a community to be well-fed. DescriptionEach meeting of The Well-fed Artist will be loosely structured around a theme, and will also include time for individual reflection and conversation. The theme for our second meeting will be To Show or Not To Show, That Is the Question. Members of The Well-fed Artist have suggested a show, so we’ll talk about showing our work. What is and isn’t important about doing that? Is the work complete without being shown? What’s the right setting for showing your work, or your work at this time? Participants are invited to bring something to share—a snack, an idea, or a show-and-tell. FeeThe Well-fed Artist meetups are FREE and open to the public, but we encourage you to join the group and RSVP for events at the Meetup page. Group membership is free and entitles you to participate in the discussion forums, share messages with the community, and sign up for announcements about other Meetup groups in your areas of interest. How to registerRSVP by visiting the Meetup page or by sending us e‑mail. LocationFrame Craft Lampros Gallery ModeratorA fiber artist for more than 20 years, Gika Rector combines creativity, an education in psychology, and her role as a personal coach to facilitate transformation in individuals and organizations more Have fun making your own felt goods in this workshop. DescriptionLearn a fun and contemporary approach to an ancient fiber medium. Wrap a ball with luscious and colorful merino wool and cover it with pantyhose. Add soap and water—and bounce. The wool becomes a felted sphere. The sphere can then become a bag or purse or vessel, perhaps even a hat. With vibrant and interesting textures to play with, felting is a rich creative experience for the senses. Bring an old towel, a plastic bag, and your curiosity. All other materials are included in the registration fee. No experience necessary. Fee$45 ($40 Jung Center members) How to registerYou may register online for this course. Or if you prefer, you may call The Jung Center at 713‑524‑8253 to register for this event. You can also download a registration form to fill out and fax (713‑524‑8096) or mail to the Jung Center. LocationThe Jung Center of Houston InstructorA fiber artist for more than 20 years, Gika Rector combines creativity, an education in psychology, and her role as a personal coach to facilitate transformation in individuals and organizations more I paid for someone’s dinner the other night, and she thanked me kindly. I made a trip to help someone with a daunting chore. She thanked me for coming, even before we got started on the work. Nicely done, and what a difference it made. Being acknowledged for doing something helpful or nice adds to the quality of the exchange. Makes it a little more worthwhile. These experiences put me in mind of another situation, in which I’ve been both acknowledged and rebuffed. The acknowledgements help me move forward; the other stuff makes me wonder if it’s worth it, which in turn means it takes that much more energy to do what I do there. So here’s what I want to say about this: please thank others for what they do. And if you disagree with what they do, it’s okay to communicate that. Please, just include appreciation for the efforts they make, and do it with respect and courtesy. It’ll make the world a nicer place—at least your corner of the world, for a little while. And please let me know what kind of experiences you’ve had with expressions of gratitude. What kind of results are you noticing? Oh—and thanks for reading. |
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